The poem makes no particular attempt to follow the clipped, elliptical, semi-conversational style of the more realistic monologues of Robert Browning, but rather presents a more meditative poem, dominated by three extended images that not only carry the meaning of the poem but also provide much of the emotional and imaginative impact. The first image mixes sight and sound and occupies the entire first section of the poem. The poet begins with a broad general view from the horizon, coming closer to that which is in the forefront of his view, the sea meeting the moon-blanched land, whence comes the disturbing sound. The deceptive calm of the opening lines is undercut by the grating surf on the beach.
Summary… This is a poem about a sea and a beach that is truly beautiful, but holds much deeper meaning than what meets the eye. The poem is written in free verse with no particular meter or rhyme scheme, although some of the words do rhyme.
Arnold is the speaker speaking to someone he loves. As the poem a progress, the reader sees why Arnold poses the question stated above, and why life seems to be the way it is. In this way, Arnold is setting the mood or scene so the reader can understand the point he is trying to portray.
In lines he is talking about a very peaceful night on the ever so calm sea, with the moonlight shining so intensely on the land.
The sea is starting to become rougher and all agitated. Throughout the whole poem, Arnold uses a metaphor to describe his views and opinions. The whole poem is based on a metaphor — Sea to Faith. When the sea retreats, so does faith, and leaves us with nothing. In the last nine lines, Arnold wants his love and himself to be true to one another.
In reality, Arnold is expressing that nothing is certain, because where there is light there is dark and where there is happiness there is sadness. Arnold uses much alliteration in the poem. The diction Arnold uses creates a sense of peacefulness and calmness.
It is fairly easily understood vocabulary, with the exception of a few words, such as cadence and darkling.
When everything is going perfectly, something unfortunate may happen at any given time, with no forewarning.In “Dover Beach,” Matthew Arnold’s use of diction and imagery reveal the overall pessimistic tone of the poem.
The use of diction brings the reader toward two separate tones, yet they uniquely contribute to general feeling . In "Dover Beach," Matthew Arnold's use of diction and imagery reveal the overall pessimistic tone of the poem. The use of diction brings the reader toward two separate tones, yet they uniquely contribute to general feeling of pessimism that Matthew Arnold portrays.
A summary of 'Dover Beach' by Matthew Arnold 'Dover Beach' is one of the best-known and best-loved of Victorian poems, and the most widely anthologised poem by a Victorian figure whose poetic output was considerably slimmer than that of many of his contemporaries, such as Alfred, Lord Tennyson or .
The speaker's tone changes in several ways over the course of the first stanza of Matthew Arnold's poem "Dover Beach." The first change comes when the poem shifts from a general third person. “Dover Beach” is a dramatic monologue of thirty-seven lines, divided into four unequal sections or “paragraphs” of fourteen, six, eight, and nine lines.
In the title, “Beach” is . “Dover Beach” is a dramatic monologue of thirty-seven lines, divided into four unequal sections or “paragraphs” of fourteen, six, eight, and nine lines. In the title, “Beach” is more.